Another one in the series from London Opinion March 1947 p29. Notice how the shape of the woman in question is formed. A simple curve and letraset filling the form.The banker also appears to be completed in drybrush. I love the fact (or maybe it’s just me) how Norfield places the hands and in my mind I associate draughts in unpleasant places!
Mark Garfitt kindly sent me this picture from a calendar from 1938 – see his comment below!!!