| From Boy’s Own Paper September 1956 pp49-50
The latest captured puzzle from the 1950s is definitely set in that period as you may not actually guess the answer as these days the solution is not so noticeable. But have a go. You have one week to figure it out before I post the solution. As usual the puzzle is written by Leonard Gribble and drawn by Tom Kerr – the real reason I noticed it in the first place. Kerr’s style is easily identifiable. Black and white, thin figure work – to the point of elongation (not so much here!) , the jawline tends to be similar between figures and the eyes do all the work emotionally. For a better example visit the excellent Avengers Illustrated. After searching the Internet for some basic biographical details I gave up – Wikipedia having a very patchy article without even basic dates – he’s a mystery despite children of my years knowing his work well from the 50s and 60s! Shame on the Brits, once again!
London Opinion 1947 July p71
The top two pictures are by an artist called Nicolas Bentley – note the spelling – it’s important! I trip over his work whenever looking at 1940s or 1950s magazines. He stands out because of his comical characters drawn with no shading or shadows to speak of. When he uses solid blacks they are not usually anywhere near the characters’ faces. His quirky signature also stands out when it appears on his work. For this post, I had a little rummage around on the net to see who he was, and lo and behold, a real character emerged!
Nicolas Clerihew Bentley (14 June 1907 – 14 August 1978) decided to drop the ‘h’ from his first name worked in a circus, was no good at academic or unbelievably art studies! However his famous godfather, G. K. Chesterton encouraged him in his work and published his first commercial work. His career sounds so fascinating I’m surprised I’ve never really tripped over the details before. The London Transport Museum mentions his peers “With colleagues Rex Whistler, Edward Ardizzone and John Betjeman, he was responsible for the ‘Shell Guide’ series, first published in 1933.” He himself spoke of his art thus: ” Experience has taught me the value of making a minute observation of appearances. Particularly is that true of the comic artist. […] The human species lends itself readily to the more superficial forms of caricature.” I think I’d like to have met this man! The excellent British Cartoon Archive has a biography and a photo of the gentleman, and sure enough he looks extremely happy with his lot! It’s easy to find his work all over the Net – Search Google images and Chris Mullen has a sample of some of his art and books.