GOLD TOKEN BOOKS Young World Productions

In a previous article I wrote about the Gold Token Comics which were produced in the mid-1960s. I owned a few – long gone – and was curious about the publisher and their output. As an ex-bookseller myself I always wanted to keep the physical catalogues and brochures I received from publishers but space constraints meant I threw away materials rich in historic information (some incorrect, as books announced does not equal books published!), but ephemera only became valuable recently with the nostalgia industry. Hey-ho!

So what I’m trying to say is, it’s difficult reconstructing a publisher’s output. I have used eBay for a lot of images on this page and various places for information. I hope you enjoy this romp through children’s books. I have NOT attempted to list all Young World Productions output, merely to record an overview of their beginnings.

In May 1963 the Bookseller and also The Scotsman (and others), using a standard press release from Thomson which stated that
“As part of the Thomson Organisation, Ltd.’s, rationalisation of book interests, a new holding company, the Northwood Book Publishing Company, has been formed. Its board, […], is responsible for the operations of three subsidiary companies—Heron Books, Ltd.; Young World Productions, Ltd., and Direct Mail Marketing, Ltd. […]Young World Productions, Ltd., is an entirely new company. Its productions – picture books, story books and novelty material – will be aimed at children up to the age of 12 years. Development work is already well advanced and selling will start before the end of the year.”

On the 1 June 1963 it was announced that the well-known author Rosemary Garland would become Chief Editor, mentioning erroneously she had been “editor of Robin, Swift, Girl and Eagle”, where in fact she had written for the comics and been Assistant Editor for Robin . The advert below shows that by September 1963 things were in full swing. By the 16 November 1963, titles were being added to Whitaker’s listings in the Bookseller beginning the timeline for Young World Productions Limited.

The 28 September 1963 Bookseller has a full page advert which ran almost weekly until the 16 November 1963. Note the generous terms – 40% (usually 33.3%) sometimes children’s novelty books did not attract as generous terms as 33.3%. And also invoices which used to be “payment within 30 days” were not payable until January – certainly very attractive terms back then, during the days of the Net Book Agreement, as one could sell the books and then pay the supplier.

The adverts will have been accompanied by press releases to be used around the country in local newspapers – always on the look out for filler materials.

The first full page advert Bookseller 28 September 1963

A SPECIAL RANGE OF CHILDREN’S BOOKS

Young World Productions Ltd. are going to make Christmas shopping easy for many parents, uncles and aunts. The Gold Token books for children brought out at the beginning of the winter, should prove very acceptable presents. The books will appeal to children because of their attractive lay-out and pictures, but they also have another fascination. All children like collecting and they will love collecting the Gold Tokens which come with the books because so few tokens entitle them to a top quality free gift. The publishers are bringing out series of books for children well within the pockets of children. The first set covers 44 titles priced from 1s to 6s 6d under the brand name Gold Token, and each carries tokens which the publishers will redeem for gifts such as a cut-out and games book or a luxury fold down book case. Look out for the Gold Token books in your bookseller’s shop or at newsagents, chemists and supermarkets that sell books. You will be delighted at their value. Furthermore, by giving them as Christmas presents you will give children an incentive to buy worth-while literature. ~Pontypridd Observer 14 December 1963

The following week an advert appeared which gave children 2 tokens to get started on their collections, the advert took up two of the six columns in the paper.

1963***1963***1963

In the 16 November issue of the Bookseller we get the first listing of the titles produced by the ‘new’ company, all with publication dates of October 1963:

GOLD Token Books. Cadet Series: The Adventures of Tiny Tom; Alice and the White Rabbit; The Arrow and the Apple; Candy Wore Shoes; The Cat Who Wore Boots; The Glass Slipper; The House in the Woods; Little Red Hood; The Magic Bird; The Musical Animals; My Friend the Wolf; The New Windmill; The Pig That Tricked the Wolf; Red Robin; Scruffy and the Wolf; The Secret of the Ugly Duckling; The Snow Queen; The Sugar House. Each of these were approximately 20 x 6 cms and priced at 1/- and had 24 pages. On the reverse – top-right corner- the series name is written, the only clue! 2 tokens were included.


GOLD Token Books. Captain Series: Book of Animal Land; Picture Book of Animal Land; Story Book of Animal Land; Tales from Animal Land. 29 x 22 cms with board covers 16 pages and cost 3/6. In March 1964, the series also added Aladdin’s Magic Lamp and Other Tales: Alice in Wonderland; Gulliver’s Travels; Robin Hood and Rosemary Garland is credited at the editor, with no credits for the author or artist. 7 Gold Tokens were included.


GOLD Token Books. Commodore Series: A Camp of Their Own; The Friendly Squirrel; A Horse of Their Own; MacBunny; Telltales; Wonder Stories. These were hardbacks with 24 pages – sized at 31 x 25cms. They cost 5/- each but you did get 10 tokens in each book.

In March 1964 were added ABC; Big Top Ballet; Little Lamb Lost; Merlin’s Magic; A Pony for Me (illustrated by Joan Thompson); Speed. – the latter having artwork by Roy Cross – famed for cutaways in Eagle comic and for his model kit box art

The late David Slinn sent me some scans of one of the Commodore series he owned, so here they are for you to enjoy. All artwork by Francis Marshall and story edited by Rosemary Garland.


GOLD Token Books. Gift Series: Cinderella; Sleeping Beauty; Snow White; Tom Thumb. 28 pages costing 6/6, size at 31 x 25cms and with 12 tokens – a very high number considering you could immediately send off for a “Quality Painting Book” with the opportunity to enter competitions! Interestingly each book credits “Originated by Robert Borghi, Copyright Young World Productions Ltd., London and Europea Editrice, Milan (Italy) Printed by Streb, Bologna, 1963”, so I’m guessing this might have been a co-edition to reduce overall costs.


GOLD Token Books. Pilot Series: Adventures of Tiny Tom; The Brave Kitten; The Cat Who Wore Boots; Columbus Kitten; Debbie; Dressing Up; Little Red Hood; Peter the Donkey; Pig Tale; Rabbit Holiday; Rocky and Biddy; Tony the Woodland Boy. Each book cost 2/6 and inside were 4 tokens. 25 x 19 cms, and were hardbacks.

In March 1964, a further 8 titles were added suggesting the “Pilot” format worked well for them: Cubby; Ginger’s Bright Ideas; Kate and Katie Doll; Magic Bugle; Our Own Circus: Ozzie and the Woodman; Peter Pipkin (illustrated by the Johnstone twins) ; Podger’s Day (this last one illustrated by Romain Simon)

On the 10 April 1965 these were added: The Clock Strikes One; Donald and the Robots; Mickey Minstrel. I should point out the odd book in the grouping above – Mary Poppins. This was illustrated by the twins Janet and Anne Grahame Johnstone, published in May 1965 and makes it extremely collectable.

In March 1964, YWP began adding titles to the existing series (mentioned above). They also started three more series:

GOLD Token Books. Compass Series: Looking for a Ladybird; Magic Feather; Magic Roundabout; Monkey Tricks at Feeding Time. These were 20 x 16 cms and cost 1/6 for these hardbacks with 3 tokens. As can be seen this Roundabout has no similarity to the later Serge Danot created TV series. These are the first books in which I have found artists credited. Magic Feather is illustrated by L. S. Goodall and the Magic Roundabout by Jeannetta Vise – both “Edited by Rosemary Garland”

GOLD Token Books. Ensign Series: Baby Animals; Cowboys and Indians; Dabble Duckling Learns to Swim; Dilly’s Picnic Party; Dumpy; Little Red Bus; Magic Goldfish; Pirate Penguin. They cost 1/- and were 20 x 16cms. Dilly’s Picnic Party was illustrated by Elizabeth Skottowe and I found it contained 2 Gold Tokens.

GOLD Token Books. Hullabaloo Series: Dotty Book; Get Well Book; Nursery Rhymes; Rainy Day Book. These hardbacks appear to be 24 x 19cms and cost 2/6. I’ve found no images of the books nor how many tokens they contained (although at that price it was likely to be 4). They apparently featured the “popular kangaroo characters” according to one advert. I assume these were the BBC1 (the mother kangaroo being the BBC1 mascot) and the “baby” – or should I say “Joey” called “Custard”? BBC2 which was launched on 20 April 1964.

Two other series that were published were the “Disneyland” series (with 8 titles) and the “Miki” series (with 12) which are illustrated by Tony’s Trading. The publication date appears to be around September 1964 (the above appeared in 15 August issue of the Bookseller). So the display boxes would have had 48 assorted “Disneyland” titles, and the “Miki-Books” would have had 72 books. What did they look like? Well, here’s an image of the Compass series mentioned above in a stand-up point-of-sale “counter dispenser” box.

GOLD Token Books. Nursery Series: ABC Animal Book; Twibble’s Farmyard Friends and Sing a song of Playtime – the latter again illustrated by Janet and Anne Grahame Johnstone. The series was added in May 1965 and cost 2/6d with 24 pages and 4 Gold Tokens.

You may have noticed that “Sindy” was mentioned in one of the above adverts. In June 1964, Young World publicised that the range of “Sindy Doll Cut-out” books had been a complete sell-out and they were reprinting 200,000 copies. They retailed at 2/6d (with 4 Gold Tokens included) and have a full colour cardboard doll with accompanying clothes. The Sindy Museum website has a list of the books plus a look at the art and clothes inside. The artwork is by Rab Hamilton, better known for work at Fleetway publications during the 50s and 60s and for TV21 comic. The same size “Sindy Story Book” (illustrated above) had only 2 Gold Tokens

I also found one example of a further cut-out doll book which appears to be have been in a series – “A day in the life of a model girl” – inside the word ‘girl’ is missing! This one is #3 of a “Cut-Out Series”. The art is not by Rab Hamilton though. They appear to have been 2/6d with the accompanying 4 tokens.

The Sindy Museum site says: “Sindy’s 1965 Sindy Set Style leaflet featuring Sindy & Paul refers to these Gold Token publications referencing “Sindy Cut-out Books” and “Sindy Keep Busy Books”, both priced at 2/6d [sic].” This latter gets mention in an advert in the Bookseller (25 July 1964) which advertisies three series, 1) Sindy Cut-Out books at 2/6; the Hullabaloo series at 2/6 and finally ‘KEEP BUSY’ Series (2/- each retail) 80 pages of paintings, puzzles and games. The Sindy Museum site seems to think these are ““Sindy Keep Busy Books”, both priced at 2/6d”. I couldn’t find any images to help me clarify but I would be very surprised if the advertising omitted the bestselling doll’s name in the title!

In the same way quite a few Gold Token books were flimsy card covers and a small number of pages, another series I’ve tripped over in my searches was the Walt Disney ‘shaped’ books (24 pages , 16″ x 7″). The titles I found are: Donald Duck takes a trip; Mickey Mouse Goes Hunting; and Mary Poppins Picture Book (the latter illustrated by Janet and Anne Grahame Johnstone). They were published in May 1965 at 2/6d with 4 Gold Tokens. I also found a reference to Bramble comes to stay; Day at the Seaside; Goff the Little Guardsman, two of which are illustrated below.

In the 8 May 1965 Bookseller Thomson Children’s Publishing announced “In future, activities of the Thomson Publications company, Young World Productions Ltd., are to be more closely co-ordinated with those of Nelson. The Young World editorial office will be moved to 95 Mount Street. Young World Productions, which has the exclusive Walt Disney book rights in Britain, will continue its policy of producing material of wide appeal, such as its Sindy Doll and other Gold Token projects.”

CONCLUSION

Young World Productions went on to produce many other book titles but I can’t find any evidence that the Gold Token concept lived on past 1966. By that time the company’s relationship with Disney led to them producing books accompanying the film “Winnie The Pooh” and there is no mention of Gold Tokens. “The Jungle Book” film tie-ins appeared in November 1967.

In the same year YWP opened a new warehouse in Storrington, West Sussex, two new books launched in 1968 have the following footer:

By late 1969, they advertised storage and distribution services from their new warehouse in Storrington. Also in 1969 they issued several “Cut-Out doll” books and lost the Disney licence which returned to Purnell for at least eight years.

1970 seems to be a prolific year for new publications – and in 1971 the Bookseller published its table of Book Publishers’ Output for the preceding 6 months July to December – YWP only published 7 books during that run up to Christmas the busiest time for booksellers.The next report shows 34 books being published – many at only 30p!

1971 saw another success with “Scratch and Sniff” books- The Enchanted Island and Granny Bear’s Birthday each with 14 pages containing embedded smells.

Bookseller 8 January 1972

The Bookseller in October 1972 has an advert for “Nelson Young World” and a note that from 1 July Thomas Nelson & Sons will handle the marketing for YWP – perhaps it was felt YWP didn’t warrant a separate company any more?

Bookseller 25 November 1972

1973 saw some books published under the imprint. In January 1974 a senior position was advertised for “Nelson Young World” – a new imprint name. In March 1974, a new series should have been published called “Beanstalk Books” – 24 books for differing age groups, unfortunately there was a month’s delay. The same happened in July 1974 with the new “Young World Library” set of books – they were pushed back to September. Were they experiencing troubles?

In August 1974 there is a few large adverts for Nelson including a page for Nelson Young World titles:

The last mention of Young World I could find was in 1976 and that is a sad notice of remainders being made available to the trade.

Young World Productions Limited was incorporated on 24 May 1963 and despite disappearing from the Bookseller after 1976, was finally dissolved on 1 March 2016. I, for one, am grateful to the fun of Gold Token collecting whilst reading some great children’s materials. An interesting experiment.

NEXT: Gold Token Gifts

Gold Token comics and books

***UPDATED 17 January 2026 – Thanks to Shaqui and Tony’s Trading***

I can’t remember how in the 1960s I first encountered the Gold Token comics. But having tokens which could be collected and gifts acquired was not something DC, Marvel, D C Thomson or IPC did – admittedly the latter pair would attach gifts to key issues – Number 1s, amalgamated comics “Great News for all readers” etc.

The company who produced these gems was Yong World Productions Limited, a subsidiary of Thomson Organisation Ltd, whose addresses were 115, Bayham Street and Thomson House, 200 Gray’s Inn Road, London W.C.1. Their UK Distribution was by Vernon Holding and Partners Ltd. There were quite a few people involved in running the company over the years when the company began in May 1963 and was dissolved in March 2016.

The line that caught my childhood imagination was “”Send Name and address and 3d stamp for free gift to: GOLD TOKEN BOOKS 115 Bayham Street, London NW1” and “Win a super holiday in Disneyland Closing date: Monday 20 April 1964” – so exciting in a comic. This also gave me the first date I found for the comic range.

Then they also stated:

All Gold Token books (and there are many to choose from) contain valuable tokens which are worth exciting free gifts to you. You will find your token inside the book. SAVE your Gold Tokens—They are fun to collect, and when you have enough you can send for any of the following:

  • A quality painting book 12 tokens (and the opportunity to enter exciting painting competitions every month)
  • A detective magnifying glass…12 tokens
  • A wonder cut-out and games book….16 tokens
  • An artist’s all-colour paint box….24 tokens
  • A luxury folding bookcase for all your Gold Token books….40 tokens

All you have to do. Just cut out your Gold Token from each book. When you have collected the right number, send them with your name and address together with a stamp (3d.) to help with the postage of the gift to:—GOLD TOKEN BOOKS YOUNG WORLD PRODUCTIONS LTD. 115-123  BAYHAM STREET. LONDON N.W.I

Gold Token Super Mag #14: Lady and the Tramp – NOTE: The token, bottom right

The gifts changed – I suspect – according the date of the comic as the one I sent off for is listed below! You might have guessed by now that these comics appear to be reprints from Gold Key (Western Publishing) in America, who had many TV series adaptations plus Disney properties.

Interestingly Gold Token presented Walt Disney commenting on titles as if he were the Editor. Alongside a photo portrait of Walt himself “he” writes in #5:

One day — as long ago as 1932 — a man who was working in my film studios in Hollywood recited ‘Mary had a Little Lamb’ to me. He was supposed to be giving an impersonation of a little girl, but when I heard him I thought he sounded just like a duck talking! ‘I might use that voice in a film one day,’ I told him. And, sure enough, I did. In fact, out of that voice grew the most famous Duck in the world — Donald.

So I am very happy to introduce the latest adventure of my fine feathered friend, Donald, in this the first Super-Mag. In fact, both Donald and I are very proud to welcome you and your friends as Super-Mag readers. We know you will enjoy all the many titles which will be coming your way soon. For, with the help of my artists, Super-Mags will take you into the wonderful world of the cinema screen, bringing you complete stories of many of our real-life and cartoon films

The Bookseller magazine shows that the launch date of these comics was 7 March 1964 and I believe this will have been met because:

Walt Disney Super-mags with GOLD TOKENS will be launched on 7 March 1964, backed by massive advertising on all TV stations, in Radio Times, TV Times and all TV publications. Free Gift Gold Tokens are contained in every publication. Thousands of children are saving them, and they write straight to the publishers for gifts ..no trouble to you! Great extensions to the gift range are planned for 1964.


SUPERMAGS (1/-) + 2 Tokens – (First published 7 March 1964 – Bookseller 11 Jan 1964)

NUMBER + TITLECOMMENTS
SM1 The Sword in the Stone[Western: Gold Key: Walt Disney’s the Sword in the Stone, 1964]
SM2 Pollyana[Dell: Four Color #1129 Walt Disney’s Pollyanna, 1960]
SM3 20,000 Leagues under the sea[Western: Walt Disney’s 20,000 Leagues Under the Sea, 1963]
SM4 The Flight of the White Stallions[Western: Gold Key: Walt Disney’s the Miracle of the White Stallions, 1963]
SM5 Donald Duck – Test Hopper[Western: Gold Key: Walt Disney’s Donald Duck – Test Hopper, 1963]
SM6 Uncle Scrooge
SM7 Big Red[Western: Gold Key: Walt Disney’s Big Red, 1962]
SM8 Parent Trap[Dell: Four Color #1210 Walt Disney’s The Parent Trap, 1961]
SM9 Treasure Island[Dell: Four Color #624 – Walt Disney’s Treasure Island, 1955]
SM10 Mickey Mouse and the Giant Air Serpent[Western: Gold Key: Mickey Mouse – The Monstrous Air Serpent, 1963]
SM11Terrible Ten (June 1964) Art by Daphne Rowles
SM12 Space Patrol – [The Water Bomb?] (June 1964) [Story title mentioned in advert inside #SM18]
SM13 Summer Magic(July 1964)
[Western: Gold Key: Walt Disney’s Summer Magic, 1963]
SM14 Lady and the Tramp(July 1964)
[Dell Four Color #629 – Walt Disney’s Lady and the Tramp with Jock, 1955
OR
Dell: Four Color #634 – Walt Disney’s Lady and the Tramp Album, 1955]
SM15 Champion the Wonder Horse(August 1964) – with 4 tokens found
[Likely to be one of “Gene Autry’s Champion” series by Dell]
SM16 Black Mask – Secret Revenge(August 1964)
SM17 A Tiger walks(September 1964)
[Western: Gold Key: Walt Disney’s A Tiger Walks, 1964]
SM18 The Absent-Minded Professor(September 1964)
[Dell: Four Color #1199 – Walt Disney’s The Absent Minded Professor, 1961]
SM19 Sindy Takes Over(October 1964) Art by Michael Strand?
SM20 Dirk of the Legion(October 1964)
SM21 Kidnapped[Dell: Four Color #1101 – Walt Disney Robert Louis Stevenson’s Kidnapped, 1960]
SM22 Dr. Syn[Western: Gold Key: Walt Disney’s The Scarecrow of Romney Marsh, 1964]
SM23 Terrible Ten – Bush Rescue(December 1964) Art by Daphne Rowles
SM24 Space Patrol- The secret formula(December 1964) Art by R. Paul Hoye
SM25 Mary Poppins(January 1965)
[Western: Gold Key: Walt Disney’s Mary Poppins, 1965]
SM26 The Moonspinners(January 1965)
[Western: Gold Key: Walt Disney’s the Moon-Spinners, 1964]

I’ve compiled this list myself and included any additional information I found which might help spot the publication dates – mostly 1964 and where the original comics appeared. I have never seen evidence of any issues beyond #26 except in #23 it mentions The Incredible Journey to be published in January 1965 – (but I’ve never seen one), along with the published Mary Poppins and The Moonspinners. Some were reprinted in 64 page comic books – see below. I’ve added dates of which I’m certain in the notes together with my guess as to where the stories originally appeared. I’m grateful to Tony of TonysTrading for his helping me clarify some of my thinking – and subsequently pointing out that “SM#1 states inside the comic it is #1 (and that White Stallions was #4, Pollyanna was #2). Many thanks again Tony.

SINDY is one the outliers in the series as she was a British doll – a version of the popular American doll Barbie. She had 6 novels based on her adventures plus Gold Token produced other books – that’s for a later date.

TERRIBLE TEN: The Adventures of the Terrible Ten was produced by Pacific Films in Melbourne and first broadcast in 1959-1960. I couldn’t track down the comics’ first appearances. However Daphne Rowles was a comic artist and children’s book illustrator mostly known for her comic work in Swift – where she drew “Nicky Nobody” and the “Ladybird” adverts on the rear cover of Swift.

SPACE PATROL: Both appear to be by the same artist – he signs himself R. Paul Hoye in #24. He drew some Enid Blyton “Mary Mouse” books by Brockhampton Press and also for them some Henry the Helicopter – where I see he is credited as R. Paul-Höye. He also drew “Bom” the little toy drummer’s adventures for Blyton as well as other books for Blyton. It appears that he also drew an icon of my childhood: 1966 World Cup lion mascot (World Cup Willie)!


64 PAGES DOUBLE FEATURE COMIC BOOK (2/6d + 4 Gift Tokens)

The ones I discovered have 2 comics in each and were the following titles:

  • Champion+Black Mask
  • Mary Poppins+Moonspinners
  • Summer Magic+Lady and the Tramp
  • Terrible Ten: Bush Rescue+Space Patrol: Secret Formula
  • Sindy takes over + Dirk of the Legion

Interestingly I have discovered an odd one, which reprints two of the first SuperMags – 20,000 Leagues under the sea and The Flight of the White Stallions. It has YWP branding but no Gold Token branding – perhaps a later reprint? It’s likely that these all appeared from mid-1965 onwards as The Moonspinners was first published in January 1965 but see below.

A YWP Book – part of the Double-Feature Comic Book series

Thanks to Shaqui Le Vesconte (for the above images) we now know “Double-Feature Comic Books” were published April, 1965 for 2/6d each and as the image says, that Shaqui kindly supplied, these were: “The first six titles available now”:

  • 20,000 Leagues Under the Sea + The Flight of the White Stallions
  • Treasure Island + Big Red
  • The Terrible Ten + Champion the Wonder Horse
  • Mickey Mouse and the Giant Air Serpent + Donald Duck — Test Hopper
  • Pollyanna + The Parent Trap
  • The Sword in the Stone + Lady and the Tramp

and there were “MORE TO COME!” but I haven’t found evidence of them. Interestingly they are also all different from the Gold Token equivalents!

Shaqui states: “They are also listed in June 1965, so were these the reprints with the YWP Book branding, not the ‘Gold Token’ versions?

I know as an ex-bookseller and librarian that the “Organ of the Book Trade” – the Bookseller could only work with what it was given and publication dates did move due to all sorts of circumstances. Therefore, even looking at both entries in the Bookseller, these could be the same – just moved on in date. BUT I do like Shaqui’s thinking here. Until I get any other evidence…..you decide!


GOLD TOKEN ACTION SERIES (1/3 + 2 Gift tokens)

Gold Token Action Series #1

Gold Token didn’t just produce ‘normal’ American sized comics but also digest comic books, which came from comic strips – supplied by King Features in America and others.

Here are the gifts listed:

  • 12 tokens – A detective magnifying glass
  • 20 tokens – Two FROG Chuck Gliders Balsa construction. Stunt and fly like a real plane.
  • 30 tokens – Wonderful book of “Record Breakers” 32 big pages of full colour, showing records ans pictures of land, air and water record breakers.
  • 40 tokens – A luxury folding book-case for all your GOLDEN TOKEN books.
Gold Token Action Series -#8: Secret Agent X9
  • AS#1 Secret Agent X9: Jungle Mission + Trail of Gold (July 1964)
  • AS#2 Big Ben Bolt: [Unknown] (July 1964)
  • AS#3 Flash Gordon: Men Against a Robot + The Lone Survivor (July 1964)
  • AS#4 Tim Tyler: Peril of the Painted Path (July 1964)
  • AS#5 Brick Bradford: Adventure in Andromeda + Operation Chaos (August 1964)
  • AS#6 Mandrake [The Magician]:  Master of Magic (August 1964)
  • AS#7 Ripcord [No story title] (August 1964)
  • AS#8 Secret Agent X9: Justice in the Underworld +Highland Caper (August 1964)
    • [The price drops to 1/- after this]
  • AS#9 Ripcord Adventure: In the eye of the typhoon (September 1964)
  • AS#10: Flash Gordon: The Time Pendulum + The Dark Side of the Moon + The Stars in the Sky (September 1964)
  • AS#11 Ripcord Adventure: Jungle Madness (October 1964)
  • AS#12 Brick Bradford: Journey to Atlantis (October 1964)

Action Series began in July 1964 and two titles were introduced each month according to blurb within. Interestingly the price dropped after issue 8. Although the Grand Comics Database indexes the Action Series there are no reprint credits. Tim Tyler = Tim Tyler’s Luck. Brick Bradford’s “Adventure in Andromeda” was published first 20 May 1963 – 19 October 1963 and “Operation Chaos” from 21 October 1963 – 28 December 1963. The Flash Gordon certainly looks to me to be drawn by Dan Barry and some of the Agent X9 by Ross Andru, although the credits for this period are Bob Lubbers (story and art) from 1960-1967. This doesn’t rule out assistance by Andru but I’m happy to be corrected. Issue #7 Ripcord has no internal title, but the narrative tells of the “Red Rocks Gorge Adventure”. Could the last Brick Bradford have been “Journey to Procyon” (26 October 1964 – 23 January 1965)?

Action Series #3-Flash Gordon p.42

The leaflet added into the July 1964 comics show the new series starts with four titles.


GOLD TOKEN GIANT SUPER MAG (2/6d + 5 Gift tokens)

These looked well worth collecting at the time but half a crown (2/6d) was a lot of money for a comic. That was the price I paid for a Famous Monsters of Filmland in August 1965 in the UK! The first issue was announced to be published on 19 June 1964 (I found it in Super-Mag #7 “Big Red” plus #8 “The Parent Trap” and #10 “Mickey Mouse and the Giant Air-Serpent”) and interestingly says “Walt Disney presents the first BUMPER Super-Mag” – so no suggested title for the first issue and a name change for the series!

GOLD TOKEN GIANT SUPER MAG Listing

  • GSM/1: Donald Duck and His Friends (June 1964)
  • GSM/2: Donald Duck and Other Stories (Sep 1964)
  • GSM/3: Donald Duck’s Album (Nov 1964)
  • GSM/4: Li’l Bad Wolf and Other Stories(? 1965)

I hope to share some information on books – not comics in another article soon.

~Norman

Super Story Book For Girls (Part Four)

So here we are at the final part of my series on “Super Story Book for Girls”

  • You’ve seen my journey of discovering where the artwork was published
  • I’ve shown you my artworks
  • Then we saw other artworks I copied from eBay which were published (and some unpublished)
  • Now we are mopping up loose ends

PUBLISHED ART SCANS FROM THE BOOK

You’ll find the story titles here in Part One

“Deadline for Danger” p.10, Super Story Book for Girls – Art by Mike Hubbard
“Hester and the Highwaymen” p.37 Super Story Book for Girls – Art by Mike Hubbard
“The Assignment” p.58 Super Story Book for Girls – Art by Mike Hubbard
“One Good Turn” p.88 Super Story Book for Girls – Art by Mike Hubbard
“Pam’s Predicament” p.116 Super Story Book for Girls – Art by Mike Hubbard
“The Blue handbag Mystery” p.220 Super Story Book for Girls – Art by Mike Hubbard
“Phillida to the rescue” p.260 Super Story Book for Girls – Art by Mike Hubbard
“The Guide in Paris” p.292 Super Story Book for Girls – Art by Mike Hubbard
“Looking after Johnny” p300 Super Story Book for Girls – Art by Mike Hubbard
“The Haunted Valley” p.314 Super Story Book for Girls – Art by Mike Hubbard
“Calling Nurse Jones” p.322 Super Story Book for Girls – Art by Mike Hubbard
“Christmas at the Crazy K” “The Haunted Valley” p.332 Super Story Book for Girls – Art by Mike Hubbard
“Penny Proves Her Worth” p.342 Super Story Book for Girls – Art by Mike Hubbard
“The Black Stones” p.388 Super Story Book for Girls – Art by Mike Hubbard
“The Honour of the Macphersons” p.420 Super Story Book for Girls – Art by Mike Hubbard

That brings us the end of the SUPER STORY BOOK FOR GIRLS.

STILL UNIDENTIFIED

But I’m left with a few images I can’t account for.

“The spy” (p.5) “I snatched the sword and pistol and faced him saying “back with you ..or you are dead!”
“The Blacksmith and the Baron” p.6, “He had gone but a few paces further when a sound from the trees above made him glance upwards”
“The Sea-robber” p.5, “As they rounded a headland Scougald uttered an exclamation that caused the girl to swing about”
“The Black Knight” (p.1) “[?] into view leapt the robbers some clad in mail, some with breastplate and helm”

I wondered if the “Super Story for Boys” published the same year was the source of the 4 illustrations above, but no. I have a copy and that contains an assortment of artists and none of them Hubbard.

Could it be Super Book of Adventure Stories, Hamlyn 1977, but this was published after Hubbard’s death? Let me know if you have a copy and can match any of the above.

Or could it be any earlier publication?

Advert for Hamlyn compilation books appeared in Princess 19 November 1966 and presumably in other places? And the advert tells us they are illustrated.

That’s it. The end of the quest. More questions raised and unanswered. But that’s the fun and frustration of seeking out sources

Here’s your Christmas bonus

JANE BOND ORIGINAL ARTWORK

“Jane Bond” Princess Tina 7 February 1970 – Art by Mike Hubbard

and how it looked in Princess Tina

“Jane Bond” Princess Tina 7 February 1970 – Art by Mike Hubbard

and here’s the following page

“Jane Bond” Princess Tina 7 February 1970 – Art by Mike Hubbard

Happy Christmas to you all ~Norman

Super Story Book For Girls (Part Three)

So I recognised Mike Hubbard as the artists and searched for where this work was published. Eventually I found it was “Super Story Book For Girls”. But that wasn’t the end of the search.

The artworks shown below are not owned by me, but I took the photos of the artworks to help me identify where mine were published.

“Anna’s First Job” from Super Story Book for Girls, p.28 – Artwork by Mike Hubbard
“Pound Cottage” from Super Story Book for Girls, p.80 – Artwork by Mike Hubbard
“Anyone can swim” from Super Story Book for Girls, p.106 – Artwork by Mike Hubbard
“Her Perilous War-Time Task” from Super Story Book for Girls, p.125 – Artwork by Mike Hubbard
“The Gales of Glentor” from Super Story Book for Girls, p.146 – Artwork by Mike Hubbard
“Sandie in Switzerland” from Super Story Book for Girls, p.152 – Artwork by Mike Hubbard
“Heroine in the desert” from Super Story Book for Girls, p.163 – Artwork by Mike Hubbard
“Dangerous Voyage” from Super Story Book for Girls, p.170 – Artwork by Mike Hubbard
“Just Jackie” from Super Story Book for Girls, p.212 – Artwork by Mike Hubbard
“All for father” from Super Story Book for Girls, p.226 – Artwork by Mike Hubbard
“Patsy’s Princess” from Super Story Book for Girls, p.246 – Artwork by Mike Hubbard
“The Great Pentreven Plot” from Super Story Book for Girls, p.276 – Artwork by Mike Hubbard
“Peregrine Peak” from Super Story Book for Girls, p.358 – Artwork by Mike Hubbard
“The Valley of the Wild” from Super Story Book for Girls, p.368 – Artwork by Mike Hubbard
“Golden Ballet Shoes” from Super Story Book for Girls, p.380 – Artwork by Mike Hubbard
“Mystery of Deast Grange” from Super Story Book for Girls, p.402 – Artwork by Mike Hubbard
“Mystery of Deast Grange” from Super Story Book for Girls, UNPUBLISHED – Artwork by Mike Hubbard
“Valley of the Eagles” “Mystery of Deast Grange” from Super Story Book for Girls, p.442 – Artwork by Mike Hubbard
“The Fisherman’s Daughter” “Mystery of Deast Grange” from Super Story Book for Girls, p.470 – Artwork by Mike Hubbard
“Brother, Dear Brother” from Super Story Book for Girls, p.478 – Artwork by Mike Hubbard
“For her King” from Super Story Book for Girls, p.483 – Artwork by Mike Hubbard
“For her King” from Super Story Book for Girls, UNPUBLISHED – Artwork by Mike Hubbard
“Facing the Stampede” from Super Story Book for Girls, UNPUBLISHED – Artwork by Mike Hubbard

That’s the lot for this article. I hope you enjoyed seeing some masterful artwork – and some that look a bit rushed to me. I don’t know what Hubbard died from, but if this was some of his last work, what a shame he “wasted” his time doing two pictures for some stories only for them never to appear in print…to my knowledge.

In PART FOUR, I’ll round up the loose ends with more mysteries.

Super Story Book For Girls (Part Two)

“Mystery of the Lake” from Super Story Book for Girls, p.190 – Artwork by Mike Hubbard

In the first part of this three-parter I teased you with how I discovered the place my original art had been published. Super Story Book for Girls was a Hamlyn 1976 publication (ISBN 060030311X). It was reprinted in 1978 too. I mentioned the compiler/editor was Leonard Matthews and writing to my late friend David Slinn, he happened to mention to me “One or two of Leonard Matthews’ special favourites, Michael Hubbard , Ernest Ratcliffe and Edgar Spencely, were to be found handling a number of the later fairytale features.” – which Matthews put together as nursery comics.

What set me on this trail was the gorgeous ink wash image illustrating “The Mystery of the Lake” at the top of this article.

Here is how the story was previously illustrated in Girls’ Crystal Annual 1971 – note with no author or artist credited, exactly as in the Super Story Book reprint. [UPDATE: Apparently the artist is Dudley Wynne – thanks to ‘Goof’]

From Girls’ Crystal Annual 1971 – Artist Dudley Wynne

So who drew the artwork I bought – more to follow below?

Mike Hubbard – scanned from Book and Magazine Collectors Magazine #292, March 2008

MIKE HUBBARD 2 April 1902 – 25 June 1976

Mike Hubbard was born, Ernest Alfred Hubbard in Dublin, Ireland, and after the end of WWI he moved to London and began providing internal and cover illustrations for various Amalgamated Press’ story papers, in the 1930s, like The Thriller and Odhams Detective Weekly and magazines such as Modern Wonder, Everybody’s and The Passing Show in 1938. After the Second World War, he drew for comics such as Knockout, adapting books such as “Treasure Island”, and “The Coral Island” and adventure stories such as “The Adventures of Robin Hood”, “Sinbad the Sailor” and “The Adventures of Marco Polo” which ended in January 1949. Much has been reprinted – especially by Leonard Matthews in the comics he edited. Hubbard’s last strip for Knockout was “Red River”, a five-part adaptation of the John Wayne western.

It was at this point he ‘disappeared’ from comics. The comic strips “Jane’s Journal” later just “Jane” ran in the Daily Mirror, (1932-1959) and was created, written and drawn by Norman Pett, until Don Freeman was drafted in to provide scripts as Pett’s imagination was running dry when it came to story ideas. In 1948 Pett decided to move on to another strip and was replaced by Mike Hubbard, who had been assisting Pett anyway, until the strip’s cancellation in the 10 October 1959 paper.

We then see Hubbard’s work appear in in the girl’s comic Valentine in the early 1960s, and then “Nurse Angela” in Princess and various single issues of Schoolgirl’s Picture Library. My favourite – and where I first noticed his work was in my sister’s comic, Princess Tina where he drew “Jane Bond: Special Agent” for three years. Some of these strips have recently been reprinted.

In the Seventies he adapted “King’ Solomon’s Mines” for the boy’s comic Ranger, (Steve Holland has reprinted this – cost £9.99 + postage) and then “Coral Island” for Look and Learn. Continuing adaptations, he drew “The Secret Garden” for young children’s comic Pixie in 1972 plus “A Little Princess”. His final work was sadly unfinished – “Lorna Doone” for Pixie. As Hubbard died on 25 June 1976 in London, I’m guessing one of his last works will have been the one we are discussing here.

ORIGINAL ARTWORKS

Below are the artworks I bought from eBay. One is even unpublished – presumably Leonard Matthews didn’t need two illustrations for one story due to page constraints. We’ll see in Part Three this happened a few times. Also I have scanned artwork which appeared with other artwork on a single board, so you see them separately.

“That dreadful holiday” from Super Story Book for Girls, p.184- Artwork by Mike Hubbard
“Second Sight” from Super Story Book for Girls, p.232- Artwork by Mike Hubbard
“The lake of No Return” from Super Story Book for Girls, p.412- Artwork by Mike Hubbard
“Menace of the Mountain” from Super Story Book for Girls, p.448- Artwork by Mike Hubbard
“Facing the Stampede” from Super Story Book for Girls, p.500- Artwork by Mike Hubbard
“Menace of the Mountain” from Super Story Book for Girls, UNPUBLISHED– Artwork by Mike Hubbard

In PART THREE I’ll show some more artwork by Hubbard from this book …and others plus more mysteries!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Links:

Super Story Book For Girls (Part One)

Dustjacket to “Super Stories” – Artist unknown

Grab a cup of tea as I want to share a rather long tale of detective work which you might enjoy.

On 6 July 2018 I bought five items on eBay. There were more to be had from the series but I felt these appealed and my pockets are not bottomless. But I did download the other images for reference.

What were they? The seller described them thus:

  • 1960's Original Pen and Ink Artwork Children's Book Illustration Stampede Death
  • 1960s Original Pen and Ink Artwork Childrens Book Illustration Lake of No Return
  • 1960's Original Pen and Ink Artwork Children's Book Illustration Burglar
  • 1960's Original Pen and Ink Artwork Children's Book Illustration Mountain Climb
  • 1960's Original Pen and Ink Artwork Children's Book Illustration Scuba Diver

But it was the photos accompanying them that grabbed me as I knew who the artist was! I shared a few of the images with Phil Rushton who suspected along with David Roach (both very knowledgeable men) these might be from Bumper Story Book for Girls 1975, which made sense as the covers are by the same artist.

Unfortunately a search of the Contents pages of both the Girls and Boys books did not match anything I had! The search continued.

I happened to win an auction in 2020 of a pile of girl’s annuals which I really enjoyed going through and discovered that some of the stories illustrated on the art boards I mentioned appeared in title only in some annuals but with other illustrations! And in one case, the same artist! Have a look below.

  • Girls’ Crystal Annual 1950: Her Perilous War Time Task by Sylvia Macrae
  • School Friend Annual 1969: Christmas at Glentor by Denise Barry
  • Sally Annual 1971: The Gales of Glentor by unknown
Girls’ Crystal Annual 1950 p165

“The Gales of Glentor” Sally Annual 1971, pp 18, 19, 21

“Christmas at Glentor”, School Friend Annual 1969 pp. 89, 90-91, 92

So for those who’d like to see the contents page of the title of this article:

So this is a 512 page hardback, published by Hamlyn in 1976 and edited by Leonard Matthews, who some of you may know as the creator of Look and Learn, amongst lots of other credits in the comic publishing world. Roger Perry shared his thoughts on Matthews as an insider. Now this explains why I found stories in annuals with the same titles! Matthews will have raided the Odhams/Fleetway archives for text stories and hired an artist to illustrate them, but not give the man the credit he deserves!

Part Two will reveal the artwork and who drew it.

~Norman

The Children’s Hour Annual [1938] – Edited by Uncle Mac of the B.B.C. [© 1937]

Cover by Raymond Sheppard

Here’s a list of all the Uncle Mac / Children’s Hour annuals I’ve analysed and listed. As I complete another entry I’ll add a hyperlink so you can jump to each individually.

Today I want to look at the third Children’s Hour Annual proper. Raymond Sheppard drew the cover and I’ve shown his work on my other blog dedicated to Sheppard so I’ll skip that here and concentrate on other artists. Let’s talk about the dating just in case there’s any doubt.

An advert from The Bookseller 1 September 1937

Thus we know if this was labelled in the same way other annuals were, it would be The Children’s Hour Annual 1938 with a copyright date of 1937.

CONTENTS

  • THE FOREWORD by The Editor
  • REMINISCENCES by Commander Stephen King-Hall; drawings by Raymond Sheppard
  • SAMUEL VISITS THE ZOO by Hugh E. Wright; drawing by unknown
  • SOME POINTS OF RUGBY FOOTBALL Captain H. B. T. Wakelam, B.A.; drawings by “E. L.”
  • HOW THE COCONUT MAN RUINED HIS CAREER by Olive Dehn; drawings by E. E. Briscoe
  • THE MOUNTAIN ASH by Olive Dehn; drawing by Jacynth Parsons
  • BIRD WATCHING IN NORFOLK by David Seth-Smith; drawings by Roland Green
  • “WORM I’ THE BUD” by L. du Garde Peach; drawings by Cyril Cowell
  • ADAM AND THE BEAR CUBS by H. Mortimer Batten; drawings by Raymond Sheppard
  • THE ROOT OF THE MATTER by Olive Dehn; drawing by Jacynth Parsons
  • GOOD LISTENING by Derek McCulloch; drawing by Jacynth Parsons
  • THE MOST EXCITING MATCH by P. G. H. Fender.; drawings by “E. L.”
  • MYSTERY SHIPS by Vice-Admiral Gordon Campbell, V.C., D.S.O..; drawings by Laurence Dunn
  • TO MY LOVEBIRDS by Olive Dehn; drawing by Jacynth Parsons
  • IN THE CHOPS OF THE CHANNEL by Barbara Euphan Todd; drawings by Laurence Dunn
  • CONKY’S HORSE by Franklyn Kelsey; drawings by C. Ambler
  • MY FLYING THRILLS by Charles W. A. Scott; drawings by unknown
  • SPRING TWILIGHT. by Olive Dehn; drawing by Jacynth Parsons
  • A HAPPY VISIT TO THE DENTIST by Hugh de Selincourt; drawings by unknown
  • MAKE YOUR OWN PUZZLES by Lieutenant-Commander R. T. Gould; drawings by the author
  • JIMMY RIDES THE RANGE by Escott North; drawings by Raymond Sheppard

ART GALLERY

DENNIS MALLET

Although the first image is not signed as the other two are, I’m fairly confident it’s Mallett with his lovely simple cartoon style. Harcourt Dennis Mallet was well known at the time contributing to Tatler (c.1936-1949) and Punch among other things. His art in Swift comic for “Our Gang” is delightful and ran from 1954-1961. My friend Steve Holland has a short biography on his blog.

E. E. BRISCOE (1882-1956)

The Children’s Hour Annual [1938], p.33 “How the coconut man ruined his career” Art by E. E. Briscoe
The Children’s Hour Annual [1938], p.37 “How the coconut man ruined his career” Art by E. E. Briscoe

A great biography of Ernest Edward Briscoe can be found on Steve’s blog, written by Robert J. Kirkpatrick and the two images above show his deft handling of artwork in colour and B&W.

JACYNTH PARSONS (1911-1992)

I’ve mentioned Parsons before in the previous year’s annual. The images below accompany mostly Olive Dehn’s poetry – except the little girl doing some “Good Listening” as McCulloch’s article is called. Page 90’s illustration “To my lovebirds” is not signed but I think it’s Parsons’ work.

The Children’s Hour Annual [1938], pp. 42, 67, 69, 90, 120, Art by Jacynth Parsons

LAURENCE DUNN (1910-2006)

The Children’s Hour Annual [1938], pp. 87 +95 (“Mystery Ships”), Art by Laurence Dunn

Laurence Theodore Dunn (9 April 1910-2006) was born in LLandaff, Glamorgan as the youngest of 5. His father was a stockbroker and Laurence studied at London’s Central School of Art and did work for the Southern Railway, and the Orient Line, He lived in Putney in 1939 and was called a Maritime Artist and Shipping Journalist by trade. He worked for naval intelligence during the Second World War. His work appeared in regular publications such as Everybody’s, Sphere and he drew cutaways in the Eagle comic and illustrations in the first Eagle Annual. He also drew for Modern World in 1940, and various illustrations for The Boy’s Own Paper from 1952 to 1957 as well as producing many maritime paintings. Laurence wrote several books – see bibliography below – and also designed stamps for the British Colonies.

BIBLIOGRAPHY of books by Laurence Dunn

  • A Book of Ships. By L. Dunn and A. C. & M. J. Hardy. London: Penguin Books, 1942
  • Waterways of the World. by Wenman Joseph Bassett-Lowke, London: Penguin Books, 1944
  • “Railway with the speed of aircraft” in Eagle Annual #1, 1951
  • Ship Recognition. Merchant ships. London: Robert Ross & Co.; George G. Harrap & Co, 1952
  • Liners and their Recognition. London: Adlard Coles, 1953
  • Ship Recognition. Warships. N.A.T.O. powers and other important ships. London: Adlard Coles, 1953
  • Ships of the Union-Castle Line. Southampton: Adlard Coles, 1954
  • Royal Yachts and their Story. [With cut-out models.] Leicester: Brockhampton Press, 1955
  • The World’s Tankers. Southampton: Adlard Coles; London: George G. Harrap & Co, 1956
  • Ships of Southampton and the Solent. Southampton: Adlard Coles, 1958
  • British Passenger Liners. Southampton: Adlard Coles, 1959
  • Ships. (A Swift picture book. Prepared by L. Dunn.). London: Longacre Press, 1960
  • Passenger Liners. London: Adlard Coles, 1961
  • North Atlantic Liners, 1899-1913. London: Hugh Evelyn, 1961
  • British Warships. London: Longacre Press, 1962
  • British Tramps, Coasters and Colliers. London: Longacre Press, 1962
  • Famous liners of the past, Belfast built. London: Coles, 1964
  • The book of ships. London: Macdonald & Co, 1968
  • Soviet Merchant Ships. 1945-1968. Kenneth Mason, 1969
  • A source book of ships. London: Ward Lock, 1970
  • Merchant ships of the world, 1910-1929, London: Blandford Press, 1973
  • Laurence Dunn’s Thames shipping. London: Carmania Press, 1992
  • Palm Line. Abergavenny: P.M. Heaton Pub., c1994
  • Laurence Dunn’s Mediterranean shipping. London: Carmania, 1999

ROLAND GREEN (9 January 1890 – 19 December 1972)

Green has been mentioned before – here – and this book contains a nice series of bird portraits – which was the topic he became famous for. Roland J. Green was born in Kent (not in 1896 as mentioned by some) and baptised on 8 June 1890 in St Margaret of Antioch, Rainham. His father had many occupations – in 1891 Roland Green (senior) was “Carpenter, taxidermist, bee expert etc.” and ten years later “Builder, undertaker, etc.”. Roland (Junior) is mentioned as being a “Artist Lithographer” in 1911 at the age of 21. He had two elder sisters and was the third child in the family. He studied at Rochester Art School and then Regent Street Polytechnic. He gave lectures to groups and eventually moved to Norfolk. He was never married and his studio in Hickling gave him ample opportunity to watch birds both native and migratory. He was a Member of the British Ornithologists’ Union and a fellow of the Zoological Society.

The Children’s Hour Annual [1938], p. 45, Art by Roland Green

BIBLIOGRAPHY of Roland Green

  • The British bird book, by W. P. Pycraft, Theodore Wood. London: A. & C. Black, 1921
  • Birds one should know, beneficial and mischievous by Theodore Wood. London: Gay & Hancock Limited, 1921
  • Birds in flight, by, William Plane Pycraft. London: Gay & Hancock Limited, 1922
  • Bird Notes and News – the magazine of the RSPB, Spring Volume, 1924
  • Catalogue of water-colour drawings and etchings of bird life by Roland Green. London: Arthur Ackermann & Son, 1930
  • Bird Notes and News – the magazine of the RSPB, Spring Volume, 1934
  • British Birds by Wilfrid Willett. London: A. and C. Black, c.1937 +1948
  • Exhibition of water colour drawings of wild fowl and game birds by Roland Green. London: Arthur Ackermann & Son, [1938]
  • “How birds live and fly” in Journal of the Royal Society of Arts, Vol. 92, No.4661, pp.198-202, 1944
  • Childrens Book of British Birds & Verses by Katherine Lloyd. Foy Publications, 1946
  • British birds. Series #1-11 by Wilfred Willett, London: Ruskin Studio, 1946-1947
  • Wing-Tips: The identification of birds in flight. London: A. and C. Black, 1947
  • Sketching Birds. Royal Society for the Protection of Birds, 1948
  • How I draw birds; a practical guide for the bird-watcher. London: A. and C. Black, [1951]
  • The ladybird Book of British Wild Animals. Ladybird Books, 1958
  • Various Postcards, Prints and Posters (from c.1923)
  • ‘Game birds and Wildfowl’ in the John Player cigarette card collection, 1928

A homage to Roland Green: his Norfolk legacy. Lymington: St. Barbe Museum & Art Gallery, Great Britain, 2012

CYRIL COWELL (1888-1967)

The Children’s Hour Annual [1938], p. 54, Art by Cyril Cowell

I’ve included this image just because I liked it. It accompanies “Worm i’ the bud” and I’ve shared a few images and some details before.

CHRISTOPHER CLIFFORD AMBLER (30 June 1886- 17 May 1965)

The Children’s Hour Annual [1938], pp. 107 +112, Art by Clifford Ambler “Conkey’s Horse”

Learn more about Ambler here. His signature / initials can be indistinct sometimes – look at the B&W image above.

UNKNOWN

The Children’s Hour Annual [1938], p. 113, Art by Unknown “My Flying Thrills”

There are 3 images in this tale by Charles W. A Scott. They are B&W and show a competence, but who drew them?

UNKNOWN #2

The Children’s Hour Annual [1938], p. 125, Art by Unknown
The Children’s Hour Annual [1938], p. 129, Art by Unknown

The images above have a look like Joyce Lankester Brisley (of Milly Molly Mandy fame) but I don’t think it’s her. There are no markings, initials or signatures on all three images accompanying “A Happy Visit to the Dentist”. Any suggestions?

RAYMOND SHEPPARD (1913 – 1958)

I have blogged all three stories illustrations by Sheppard on the blog devoted to him.

~Norman

NEAVE PARKER (1909-1961)

WILLIAM NEAVE PARKER (1909-1961)

The original artwork above hangs in our bedroom, bought many years ago on eBay. I wish I’d bought more of his work then.

William Neave Parker – to give him his baptismal name, has a Wikipedia page in German but not English and that states he died in Pennsylvania, not true, as we shall see! Almost every source states he was born in 1910. But I’ve found his baptismal record (baptised on 27 June 1909 – meaning he was born on that day or earlier in 1909!) and his birth entry in the same year was in quarter 3 (July-September) so I suspect that his baptism took place very near that date.

The 1911 census – at 49 Morton Terrace, Gainsborough, Lincolnshire, states he was 1 year old so I expect this is where the deduction was made he was born in 1910. His father Sam Wardle Parker was born in 1861 (and was a surveyor) and his mother Helen Taylor was born in 1872. He had one older sibling, by 18 years, Gertrude Kathleen Alice – by his father’s previous marriage to Annie Baldwin in 1886. The 1921 Census – filled in by his father in 49 Morton Terrace Gainsborough, states he was 12 years and no months – which equates to 1909. The census took place on the 19 June 1921 therefore I think we can safely say that Neave was born in June 1909. We learn from other sources he attended Heatherley’s School of Art in London by the time he was 20.

DINOSAURS

He is best remembered now as the artist who drew dinosaurs, thirty years before Jurassic Park appeared in cinemas. His artwork was very influential and was reprinted all over the world when representing dinosaurs and I remember them from my youth in the Sixties.

The Mary Evans Picture Library have lots of his B&W dinosaur artwork, many are illustrated on The Natural History Museum‘s site which explains a bit about his relationship with William Elgin Swinton, the palaeontologist. It was zoologist Maurice Burton (1898–1992), a research fellow and honorary science editor of the Illustrated London News that introduced them. Initially it was his camera work that attracted attention.

ILLUSTRATED LONDON NEWS

ILN 11 November 1955 Brothers Grimm
ILN 11 November 1955 Hans Christian Anderson

The first reference I can find to his Illustrated London News (ILN) work is Parker’s photos of people at work at the NHM (Illustrated London News on 10 December 1949) and the following year photos of various animals accompanied articles and many more followed in Burton’s articles for many years.

But it was the 19 August 1950 issue that had his first credited drawing appeared (of “The Missing Link”) and in the 11 August 1951 he drew his first ILN two page spread, which was a regular feature – this time of “The Diet of the Bat” including vampire bats! The ‘Bat’ pages were written by Dr. M. Burton and the two of them carried on these spreads for the ILN for some time, Parker was described often as “Our Special Artist” and “Our Natural History Artist”. In the 13 October 1956 issue he appears to have gained some post-nominals “Neave Parker F. R. S. A.” – a Fellow of the Royal Society of Arts. In the 12 January 1957 a new series starts:

Although Parker continued sending photographs to the ILN – even up till 1960 – he was not only brilliant and prolific at shooting photographs, but The Times for 5 August 1958 informs us of his love of competition pistol shooting where he actually won prizes and broke records. And the ILN featured his winning too:

On 16 August 1958 they also showed a photo of the competitors with this caption:

AT BISLEY FOR THE MAYLEIGH .22 PISTOL EVENT: THE GREAT BRITAIN INTERNATIONAL TEAM. SEATED, EXTREME RIGHT, IS MR. NEAVE PARKER, WHO WON THE N.S.R.A. OPEN CHAMPIONSHIP WITH A RECORD SCORE.
The above photograph was taken at Bisley on August 4, when the Great Britain International Team was competing in the international .22 pistol Mayleigh event. Mr. Neave Parker, whose work as an artist is well known to our readers, also won the N.S.R.A. Open Championship, with a record score, at the eleventh annual .22 pistol meeting of the National Small-bore Rifle Association, held at Bisley on August 2, 3 and 4. Mr. Parker’s score was 921 ex 1000, and this was in spite of one shot being disallowed.

If that wasn’t enough on 15 August 1959 he is shown thus:

Unfortunately he died of a heart attack on 16 May 1961, only aged 51. Issues of the ILN after the 29 July 1961 state “The late Neave Parker” and he was still remembered by the ILN as late as 1964.

With the headline on page 7 of 26 May 1961 in his home town local paper the Gainsborough News, “Gainsborough artist dies in London”. The article continues:

“Man who worked very hard for success, Mr. William Neave Parker, has died in London at the age of 51.
Mr. Parker was the son of the late Samuel Wardell Parker, who for 28 years was a well-known Gainsborough surveyor, and was educated at schools in the town. After education at Worksop College, Mr. Neave Parker entered his father’s business but when 20 years old he became a student at Heatherley’s, the famous London art school. Here, his skill as a draughtsman attained at Gainsborough speedily became apparent and specimens of his work were hung at Heatherley’s to encourage other students. An all-round craftsman, swift in statement, very confident in touch, he excelled at figure work.
Circumstances decided he should become an outstanding nature artist, his first commission being to illustrate a series of nature books. The author later acknowledged that the work of Neave Parker contributed greatly to the large sales of the series. Other nature illustrations were demanded and in due course he became the special nature artist to the Illustrated London News. He illustrated many books on nature but at the same time he made some very fine landscape paintings for exhibition.
CAMERA SKILL
As a relaxation he devoted himself to the camera and revolver shooting, attaining distinction as a camera artist and as a crack revolver shot. During the war his skill with the camera led to his enlistment in the photographic section of the Royal Air Force and while serving on the continent he made many landscape studies in water-colour and oils. In spite of the heavy demands upon his time as an illustrator, Neave Parker made time for other activities and he was intensely interested in animal welfare. For some years he was Chairman of the Council for Canine Defence and he was also a Fellow of several learned societies, including the Royal Anthropological Institute and the Zoological Society. In his spare time—as he described it—he wrote and illustrated ‘The Tall Green House,’ a sumptuously illustrated nature book which won royal approval. He worked hard for his success but for some months he had not enjoyed good health and although he seemed to be recovering he died following an attack of cerebral haemorrhage.
His life was short: it was also very full and very useful.”

As far as I can see he never married, however his probate record shows him leaving £6,043 to “Hilda Blanche Taylor, spinster” – who I see died in 1966 and whose address was the same as Neave’s. She left £22,633 to “National Provincial Bank Limited” – was this a charge on a property? I can’t track her down with any authority – there is a Hilda Blanche born in 1883 in Neave’s home town of Gainsborough, but is this the same person? Was she an Aunt? Without precise information I’d be guessing

AFTER HIS DEATH

In 1993, the Ulster Museum in Belfast presented the exhibition “The Prehistoric World of Neave Parker” . His works are in the Ulster Museum and the Natural History Museum

If you like his artwork take a look at the eBay seller Batbatty247. In 2021 several lots were sold by Toovey’s
Antique & Fine Art Auctioneers & Valuers

The following are taken from their site and show Reynard The Fox

Here are some others from Tooveys from the same sale

Birds by Neave Parker

William Neave Parker – ‘Aoteroa’ (Maori hunting a Moa) plus 2 inca or Aztec scenes?

BIBLIOGRAPHY

  • Lovable Beasts, Harper Cory, London: Thomas Nelson & Sons, 1936
  • Prickly-Pine, , Harper Cory, London: University of London Press, 1937
  • [This Cruelty called Sport! By Air Commodore L. E. O. Charlton … Illustrated by Harry Rountree, Treyer Evans and Neave Parker.], League Against Cruel Sports (Great Britain), 1939
  • Who killed Cock Robin, London: W.L. Vaughan (City) Ltd.), 1940?
  • Molly, the New Forest Pony, Lady Kitty Edith Blanche Ritson, London: T. Nelson & Sons, 1940
  • Chips the Alsatian, Lady Kitty Edith Blanche Ritson, London: T. Nelson & Sons, 1940
  • Rufa the Wood Ant, Ray Palmer, London: T. Nelson & Sons, 1940
  • Bombus, the Bumble-Bee, Ray Palmer, London: T. Nelson & Sons, 1940
  • Domini the Golden, C. W.Henry, London: T. Nelson & Sons, 1940
  • Wild Animals at Home, Harper Cory, London: Thomas Nelson & Sons, 1940
  • Vulpes: an English fox, Harper Cory, London: Thomas Nelson & Sons, 1940
  • Uncle Peter. A true story, Harper Cory, London: Thomas Nelson & Sons, 1940
  • Larry Blackcap, Dorothy Edith Corkill, London: Thomas Nelson & Sons, 1940
  • The Mammals of the British Isles, Harper Cory, London: Thomas Nelson & Sons, 1941
  • The Tall Green House, written and illustrated by Neave Parker, London: P. R. Gawthorn, 1948
  • Ulla-Britt and the Birds, Laurens Sargent, London: University of London Press, 1950
  • Uncle Remus, Adapted by Robert Harding, London: Gawthorn Press, 1953
  • Uncle Peter, Harper Cory, , London: Thomas Nelson, 1954
  • The Day of the Dingo, John Kiddell, London: Thomas Nelson & Sons, 1955
  • Reckless Robert. (Look right-look left.), George Henry Eyles, Watford: Bruce & Gawthorn, 1959
  • A Game Ranger’s Notebook, Paul Smiles, London and Glasgow: Blackie, 1961
  • Fishes, Norman Bertram Marshall, Watford: Bruce & Gawthorn, 1961
  • Reptiles: The wonderful world of nature, Alfred Leustsher Watford: Bruce & Gawthorn, 1961
  • Mammals, Maurice Burton, Watford: Bruce & Gawthorn, 1961
  • Birds, Maurice Burton, Watford: Bruce & Gawthorn, 1961
  • The prehistoric times : the newspaper for discerning dinosaurs, Stella Gurney, London: Frances Lincoln Children’s Books, 2017

Newnes Pictorial Knowledge: Volume Ten

VOLUME TEN: This is the reference volume for the set, containing the A-Z Factual Index and “Our world today”.

Art by Unknown

This volume has predominantly three columns with a dictionary approach. The above opening page changes things slightly as it has called this “Children’s Treasury of General Knowledge”

Who is “H. K.”?

The first artist’s work I wish to highlight is well disguised.

Each section begins with an illustration of that letter. So here we see A, C and J. So who is the artist? Hidden in the images are the initials “HK”. Could this be Horace Knowles, (mentioned here) but he usually signs his work in full. I also felt some of this artwork was a bit ‘naive’, just look at the animal top-left on the letter J page, which I guess is a jackal. . Knowles was, I felt more competent than this. Just look at his own “Countryside Treasures” as an example. The work is stylised but competent. So who is HK?

GEORGE HORACE DAVIS (1884-1963)

Page 107, Art by George Horace Davis

GHD, G. H. Davis etc. has been mentioned when discussing Volume Six, so I’ll leave this here as I liked the clarity of the explanation and also his lovely signature with the ‘D’ enclosing his surname.

Page 383, Art by George Horace Davis

I also loved this cutaway of a London street! Note that it’s dated 1949 which makes one wonder about the claim “Specially drawn for this work” as it’s surely a reprint from an earlier edition!

ANTHONY WOOD (1925 – 2022)

Page 193, Art by Anthony Wood

I’m afraid I had NOTHING on Anthony Wood in any of my usual sources. Looking at the above and the image below, we can see he may have been a technical artist of some sort, and I nearly drew a blank! But then I thought to search for Anthony Wood + Heraldry and that came up trumps. His Wikipedia page tells me he was “a professional calligrapher, illuminator and heraldic artist”

Page 376, Art by Anthony Wood

H. M. BROCK (Henry Matthew Brock) (1875-1960)

Page 219, Art by Henry Matthew Brock

I can’t add anything to HM’s biography and have already said he is famous enough not to need my rants but researchers of his work might like to know his work appears in this volume.

ERNEST ARIS (1882-1963)

Page 273, Art by Ernest Aris
Page 288, Art by Ernest Aris

Like Brock above, Aris needs no introduction. His work appears in many of this set of 10 books and the two above appealed to me. What a versatile artist!

CYRIL COWELL (1888-1967)

Page 287, Art by Cowell
Page 427, Art by Cowell

I chose these two pieces by Cyril Cowell as 1) it allows me to say he does two other maps in this volume – South Africa, Canada, and the above NZ and 2) his work appears in Volumes 5, 6, 8 and here Volume 10, amongst others. To read more about him follow the link.

CONCLUSION

As I said in the first posting on this set of encyclopedia, there are two accompanying volumes – an atlas and a dictionary which I don’t own. So here’s where I finish this series. Just as, with a lot of what I do on this blog, I’ve only shown what interests me – either the art itself, or the hunt for information. If you’ve read this far and – for example – are tracking down all instances of one these artist’s works, this is a good set to check…and there are multiple editions unfortunately! I tripped over an early set (with Enid Blyton’s name) and found no Raymond Sheppard artwork – my main reason for buying this 10 volume set – but did see some familiar artwork .

Thanks for all the comments, and do let me know if you discover who some of these artists are whom I’ve not been able to pin down

Norman